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Art Center Sarasota's New Exhibitions Cycle Includes Work by Artist Vitus Shell

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  Pictured: Vitus Shell Studio Portrait. Photo courtesy of Art Center Sarasota. Art Center Sarasota’s 2021 exhibition season continues with four exhibits, January 27-March 5. Vitus Shell: “31 Flavors” features large-scale, mixed-media works exploring the Black experience by the Louisiana-based artist Vitus Shell. JAVO: “Revisited” feautures intricate works on canvas that explore the beauty and tragedy of culture-making within the native Puerto Rican’s adopted society. In the juried exhibition, “Visions in Black,” Art Center Sarasota partners with the Suncoast Black Arts Collaborative to showcase the works of local art students alongside works by seasoned artists of African descent. The “Visions in Black” exhibit is sponsored, in part, by the Gulf Coast Community Foundation. “Anything Goes” is a juried exhibition of artwork spanning a range of mediums, including paintings, drawings, photography and sculpture. The opening reception for all four exhibits is Thursday, January 27, 6-8 p...

Louisianian of the Year | Artist

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  Monroe artist Vitus Shell is a remarkable artist who explores the African-American experience through strong, compelling and often unsettling images of Black contemporary life in America. It is art driven by irony, activism and his notion of Black “coolness.” Monroe artist Vitus Shell is a remarkable artist who explores the African-American experience through strong, compelling and often unsettling images of Black contemporary life in America. It is art driven by irony, activism and his notion of Black “coolness.” Born in Monroe in 1978, Shell, who has taught art at the University of Louisiana Monroe, Louisiana Tech University and Grambling State University, holds a bachelor of fine arts degree from the Memphis College of Art where he and other artists formed a collective that launched his career and those of other African-American artists. “My paintings,” says Shell, “are geared toward the Black experience, giving agency to people from this community through powerful image decon...

BLACK CREATIVE CIRCLE

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  BLACK CREATIVE CIRCLE Article by STARLA GATSON | Photography by JERON STRICKLAND | STRICKLY US  Black female politician and author Shirley Chisholm once declared, “If they don’t give you a seat at the table, bring a folding chair.” The Congresswoman’s guidance has been echoed and shared countless times over the decades, encouraging many to  show up in spaces  they or others like them have not previously occupied. But what is one to do when the table for which he is looking doesn’t yet exist? Why, he takes a cue from the  Black Creative Circle of North Louisiana  (BCCNL) and builds it himself! The BCCNL was created to give local black creators a place to show up and show their work, be empowered, and inspire one another, filling a need the organization’s vice president, K’Shana Hall-Davis, noticed fairly quickly. “When I went to certain events in the area, I never really saw anyone that looked like me as the artist,” she explained before adding, “I’m not s...

This Land

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  Vitus Shell Vitus Shell is a mixed-media collage painter born in Monroe, LA, where he lives and works. His work is geared toward the black experience, giving agency to people from this community through powerful images, deconstructing, sampling, and remixing identity, civil rights, and contemporary black culture. He received a BFA from Memphis College of Art, 2000 and an MFA from the University of Mississippi, 2008. Vitus Shell has been in residence at Bemis Center for Contemporary Arts, Anderson Ranch Art Center, Hermitage Artist Retreat, Mass MoCA, Joan Mitchell Center, Skowhegan School of Art, and Masur Museum of Art. THIS LAND is funded in part by a grant from South Arts with support from The Andrew W. Mellon Foundation. Additional support provided by the Mississippi Arts Commission. "Being from North Louisiana, you’re like the step cousin … of everybody from South Louisiana. And sometimes we don’t get the full credit…" – Vitus Shell  
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  The Masur Museum of Art Presents: Many Rooms: The South Got Something to Say The Black Creatives Circle of North Louisiana presents: K’shana Hall-Davis, DrĂ©k Davis, Benicia King, and Vitus Shell Exhibition on View through November 6, 2021 Public Reception: Thursday, September 16, 5:30 – 7:30 pm Artist’s Talks: 6:00 pm Masur Museum of Art 1400 South Grand Street This exhibition showcases the work of members of the Black Creatives Circle of North Louisiana.   The BCCNL is a service organization focusing on increasing the connection and visibility of Black creatives within North Louisiana. The exhibition will represent various themes from each individual artist, which collectively derives inspiration from the Biblical scripture John 14:2, “There are many rooms in my father’s house.” Each room entwines with each other distinguishing the multiple conversations that are being held yet concealed within the South. Each artist will do a brief talk about their work starting at 6:00. T...

A Little Ratchet at TONE Memphis

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A Little Ratchet Into every season there is a public and private discussion of what is an acceptable of presentation Blackness. A Black actress and comedian takes to the internet to decry Black women in hair bonnets in public and pleads with them to have more respect for themselves. Academics have conducted many studies that show that candidates with “Black-sounding names” are less likely to be interviewed for jobs with all other factors being equal. White social media influencers participate in “blackfishing” by assuming the features of Black women through filters or surgery to get the look with none of the burden of Blackness. The debate on sagging pants is still alive and well after decades of debate. Now that Hip-Hop culture is pervasive, the arguments over Black images has new language. Whatever leans a little too far over the sign of what is coded respectable is often deemed ratchet. Like the ratchet wrench that loosens and tightens, what is considered ratchet morphs and changes1...

Fresh A.I.R. Gallery presents Coping Mechanisms

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